The Houdini Box by Brian Selznick - picture books make me feel like drawing

I had a fabulous surprise in the post yesterday. Wrapped in plain brown paper, this book arrived. It was from Sarwat - author of the unputdownable goth lit adventure Devil's Kiss - who has just come back from his triumphant first BEA (marred only by the small matter of being mistaken for a terrorist at the airport in New York).

Sarwat harvested a massive haul of books at BEA which he duly shipped back to London and offered up on his blog on a first come, first served basis. I of course leapt at the offer.

And here it is - The Houdini Box by Brian Selznick, the guy who wrote and illustrated The Invention of Hugo Cabret, winner of the Caldecott Medal. I just stared at it for many long minutes. Check out the illustrations on the inside pages:

The text was sparse and the cross-hatched pen and ink drawings were lush.

I was so bowled over that I grabbed my sketchpad, brushed off the cobwebs and spent the evening drawing.



See what one picture book can do?

Our new Children's Laureate Anthony Browne, writing in today's Education Guardian, said:

Most adults will tell me: "I can't draw!" Children, too, as they get older, say the same thing. Something happens to our creativity as we go through the education process; most of us lose touch with it. A stifling form of self-consciousness invades us, whether it be in drawing, writing, singing or (in my case) dancing...

Just before this unhelpful self-consciousness creeps into children, many of them are encouraged to move away from picture books and move into "chapter books" - books without illustrations. Perhaps there's a connection? Read it all

We need more books like The Houdini Box.

I wanna be an illustrator

That's right. I've always wanted to be an illustrator. But there are always too many practical things in the way. For now I content myself with watching wonderful videos like this. 

Speed Painting Masters Angouleme 2009 HD !!
Uploaded by pixeltv

The first artist featured is Moebius a.k.a. Jean Giraud, a favourite from my teenhood.

Psst. I want one of those drawing gadgets too!

Shoo Rayner's Drawing School

Okay, I'm trying to be a good author and ignore all distractions.

However Shoo Rayner is evil and has started a drawing school over on his website. I can't resist watching illustrators draw so now Shoo's new page has seriously set back my plans for world domination.

Here's Shoo teaching us how to draw his archetypal character, the Ginger Ninja.

The Happy Prince on Lookybook

This was on Lookybook in today's post.

Oscar Wilde's The Happy Prince, retold by Elissa Grodin and illustrated by Laura Stutzman.

It is so beautiful that words fail me. Click through to view it in larger mode on Lookybook. 
 
 

Publication: No Immunity to Disappointment

I've become a real fan of Radio 4's wonderful obituaries programme, Last Word. The obituary page has always been a good place to discover undiscovered writers - it is where many a journalist has a chance to show off writing style that is otherwise blunted by dry and dusty news reporting.

Ground-breaking writers like Gay Talese (inventor of New Journalism) cut their teeth on obituaries.

Anyway. I've been away on holiday and the news of Pauline Baines' death on 1 August finally reached me via the Last Word programme (listen to the programme 8 August 2008, the item is in the last quarter of the broadcast).

Like everyone else, I had assumed that Pauline Baynes, who illustrated the books of both Tolkien' and C.S. Lewis, had long ago passed away.

Authors and illustrators alike will enjoy this blog tribute from her friend Brian Sibley (author of Shadowlands: the True Story of C.S. Lewis and Joy Davidson) which is full of wonderful anecdote about Baynes and the exclusive circle to which she was privy:

"Met C S Lewis. Came home. Made rock cakes." That's how Pauline's diary recorded one of the two meetings she had with the author who's work she so memorably embellished. It tells you exactly how she viewed her contribution to books that, for millions, of us were seminal childhood reading.

Brian Sibley was also interviewed for the Last Word piece and captures the importance of Baynes to the C.S. Lewis canon:

He (C.S. Lewis) often said that The Lion The Witch and The Wardrobe had begun as pictures in his mind ... an image of a faun with an umbrella in a snowy wood, carrying a pile of parcels. Which is why when I look at The Lion the Witch and the Wardrobe now, I see that image that CS Lewis must have seen in his head, but of course what I'm actually seeing is the interpretation of it by Pauline Baynes.

However, in this business we're in, producing iconic work does not guarantee immunity from rejection. Her friend, novelist Charlotte Cory, recalls:

She laughed a lot about the fact that every day in the post she got letters from aspiring young illustrators asking her for help when she also got letters rejecting her work from publishers.

Repeat after me ... it's not the arriving, it's the travelling that counts ...

Having said that, author Tom Bullough's story in yesterday's FT Weekend was heartbreaking to the extreme.

I wrote a piece last March about the author who got the agent, got the publisher, got the first book of the trilogy out ... then got dumped. Well, Tom Bullough, got the book deal (The Claude Glass is the story of a friendship between two children from very different backgrounds) then got on the shortlist for the Wales Book of the Year Award, was announced as the winner, was about to step onto the stage ... when the compere suddenly said it was all a mistake.

I set off towards the stage, a TV camera following me. I got to the foot of the stage, but there seemed to be some sort of strange hesitancy. I think I even said something like, “Do you want me to come up there or what?” Thomas then said he’d made a mistake. I hadn’t won.

I must have frozen for a couple of seconds. I’d gone from euphoria to absolute heartbreak.

Tom fears that he will be remembered for the awards fiasco and not for the book which he spent four years writing. This must have been soul destroying. I am sure all of us who continue to live with rejection sympathise with Tom - this book, good enough to be published, quality enough to enter the shortlist of three, deserves better.

Bologna 2008: a selection from the Artists' Wall

One of the unmissable features of the Bologna Children's Book Fair is the Artist's Wall, a series of hoardings near the entrance where artists pin up their work and their business cards in the hope of making contact with clients. Here is a sampling from this year's batch.

Even late in the afternoon of the second day there were still artists pinning up their work.





Illustrators had so many creative ways of leaving contact details.


You could look and look for hours and still keep finding something wonderful to look at.

Now I've got my own Sarah McIntyre

My Bologna roommate Sarah sent this cartoon of me in Bologna.

I've never been described as foxy before but Sarah totally captures my spikey-headed, bleary-eyed late night writing habit.

Thrilled to have my own Sarah McIntyre! Thank you!

Dan Santat's School Visit

I follow the blog of Dan Santat just because I love his drawing (the other artist I subscribe to is Sarah Macintyre. Love her stuff!) Dan does the Disney cartoon The Replacements (I haven't seen it here in the UK but then I don't get the Disney Channel).

Anyway, this is not just about how wonderful Dan is (which he is) but about School Visits. Now I did a little piece on school visits featuring Doomspell author Cliff McNish a while back - school visits are a big deal for children's authors because it's a cool way of getting in touch with one's readers etc etc. Of course, it doesn't hurt either that you could make a little bit of money to supplement your non JK Rowling advance.

So here's Dan's truly super cool video about a week long visit to a school for gifted children in Virginia. We can all learn a thing or two about marketing ourselves here.